VOLUME 01


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TITLE: ESCALOLOGÍA

OPUS: 34

SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.

DATE OF COMPOSITION: 1998-2002

DATE OF THE 2nd EDITION: 2020

MAIN THEME: Scales.

SPECIFIC TOPIC: Major scales.

 

OBSERVATIONS: this volume belongs to the THUMB-UNDER SERIES, made up of the following volumes:

Volume 1: ESCALOLOGÍA Op. 34,

Volume 2: ARPEGIOLOGÍA Op. 35,

Volume 3: BIDIGITOLOGÍA Op. 36,

Volume 4: TRIDIGITOLOGÍA Op. 37,

Volume 7: ARPEGIOLOGÍA Op. 40,

Volume 9: ARPEGIOLOGÍA Op. 42,

Volume 11: ARPEGIOLOGÍA Op. 44,

Volume 13: ARPEGIOLOGÍA Op. 46,

Volume 14: TRASLACIOLOGÍA Op. 47,

Volume 17: ARPEGIOLOGÍA Op. 52,

Volume 18: TETRADIGITOLOGÍA Op. 53,

Volume 19: ESCALOLOGÍA Op. 54,

Volume 20: ARPEGIOLOGÍA Op. 55,

Volume 21: ARPEGIOLOGÍA Op. 56,

Volume 22: ARPEGIOLOGÍA Op. 57,

Volume 23: ARPEGIOLOGÍA Op. 58,

Volume 24: ARPEGIOLOGÍA Op. 59,

Volume 25: ARPEGIOLOGÍA Op. 60,

Volume 26: ARPEGIOLOGÍA Op. 61,

Volume 27: ARPEGIOLOGÍA Op. 62,

Volume 31: ACORDOLOGÍA Op. 66,

Volume 32: ACORDOLOGÍA Op. 67,

Volume 33: ACORDOLOGÍA Op. 68,

Volume 40: ARPEGIOLOGÍA Op. 75,

Volume 41: ARPEGIOLOGÍA Op. 76,

Volume 42: ARPEGIOLOGÍA Op. 77,

Volume 43: ARPEGIOLOGÍA Op. 78,

Volume 51: ESCALOLOGÍA Op. 86,

Volume 52: ESCALOLOGÍA Op. 87,

Volume 56: ESCALOLOGÍA Op. 91,

Volume 57: ESCALOLOGÍA Op. 92,

Volume 58: ESCALOLOGÍA Op. 93,

Volume 59: ESCALOLOGÍA Op. 94.

Volume 65: ARPEGIOLOGÍA Op. 100,

Volume 67: CROMATOLOGÍA Op. 102.

In Volume 51 Escalología Op. 86 the whole tone scales in are exposed.

In Volume 38 Chromatología Op. 73 the chromatic scales are exposed.

This volume also belongs to the MAJOR AND MINOR SCALES SERIES, made up of the following volumes:

Volume 1: ESCALOLOGÍA Op. 34,

Volume 19: ESCALOLOGÍA Op. 54,

Volume 59: ESCALOLOGÍA Op. 94,

Volume 52: ESCALOLOGÍA Op. 87,

Volume 56: ESCALOLOGÍA Op. 91,

Volume 57: ESCALOLOGÍA Op. 92,

Volume 58: ESCALOLOGÍA Op. 93,

Volume 67: CROMATOLOGÍA Op. 102.

This volume also belongs to the SCALES SERIES, made up of the following volumes:

Volume 1: ESCALOLOGÍA Op. 34 (major),

Volume 19: ESCALOLOGÍA Op. 54 (minors),

Volume 59: ESCALOLOGÍA Op. 94 (major and minor),

Volume 52: ESCALOLOGÍA Op. 87,

Volume 56: ESCALOLOGÍA Op. 91,

Volume 57: ESCALOLOGÍA Op. 92,

Volume 58: ESCALOLOGÍA Op. 93,

Volume 38: CHROMATOLOGÍA Op. 73 (chromatic),

Volume 51: ESCALOLOGÍA Op. 86 (whole tone),

Volume 30: BIPUNTOLOGÍA Op. 65 (major in thirds),

Volume 35: BIPUNTOLOGÍA Op. 70 (major in fourths),

Volume 36: BIPUNTOLOGÍA Op. 71 (major in fifths),

Volume 34: BIPUNTOLOGÍA Op. 69 (major in sixths),

Volume 54: BIPUNTOLOGÍA Op. 89 (major in octaves),

Volume 37: MIXTUROLOGÍA Op. 72. (major),

Volume 60: BIPUNTOLOGÍA Op. 95 (minor in thirds),

Volume 61: BIPUNTOLOGÍA Op. 96 (minor in fourths),

Volume 62: BIPUNTOLOGÍA Op. 97 (minor in fifths),

Volume 63: BIPUNTOLOGÍA Op. 98 (minor in sixths),

Volume 64: BIPUNTOLOGÍA Op. 99 (minor in octaves),

Volume 44: BIPUNTOLOGÍA Op. 79 (whole tone scale in thirds),

Volume 45: BIPUNTOLOGÍA Op. 80 (whole tone scale in fourths),

Volume 46: BIPUNTOLOGÍA Op. 81 (whole tone scale in fifths),

Volume 47: BIPUNTOLOGÍA Op. 82 (whole tone scale in sixths),

Volume 48: BIPUNTOLOGÍA Op. 83 (whole tone scale in octaves),

Volume 49: MIXTUROLOGÍA Op. 84 (whole tone),

Volume 50: MIXTUROLOGÍA Op. 85 (whole tone),

Volume 67: CROMATOLOGÍA Op. 102.

 

 

 

INDEX OF THE VOLUME CORRESPONDING TO THE 2nd EDITION OF 2020:

 

1. Preparatory exercises for the study of scales. (pg. 9)

1.1. The groups of consecutive fingers on the scales. (pg. 9)

1.1.1. Groups of three consecutive fingers. (pg. 9)

1.1.1.1. First series. (pg. 9)

1.1.1.2. Second series. (pg. 11

1.1.2. Groups of four consecutive fingers. (pg. 13)

1.1.2.1. First series. (pg. 13)

1.1.2.2. Second series. (pg. 17)

1.2. The thumb-under on the scales. (pg. 21)

1.2.1. Previous stimulation of the fingers that intervene in the thumb-under on the scales.

(pg. 21)

1.2.1.1. Distance of major third between the thumb and the 3rd or 4th finger. (pg. 21)

1.2.1.1.1. First series. (pg. 21)

1.2.1.1.2. Second series. (pg. 22)

1.2.1.1.3. Third series. (pg. 22)

1.2.1.2. Minor third distance between thumb and 3rd or 4th finger. (pg. 23)

1.2.1.2.1. First series. (pg. 23)

1.2.1.2.2. Second series. (pg. 23)

1.2.1.2.3. Third series. (pg. 24)

1.2.1.3. Distance of major second between the thumb and the 3rd or 4th finger. (pg. 24)

1.2.1.3.1. First series. (pg. 24)

1.2.1.3.2. Second series. (pg. 25)

1.2.1.4. Distance of a minor second between the thumb and the 3rd or 4th finger. (pg. 25)

1.2.1.4.1. First series. (pg. 25)

1.2.1.4.2. Second series. (pg. 26)

1.2.1.4.3. Third series. (pg. 26)

1.2.1.4.4. Fourth series. (pg. 27)

1.2.1.4.5. Fifth series. (pg. 27)

1.2.2. Thumb-under exercises. (pg. 28)

1.2.2.1. Minor second distance between the 3rd or 4th finger and the thumb-under.

(pg. 28)

1.2.2.1.1. First series. (pg. 28)

1.2.2.1.2. Second series. (pg. 29)

1.2.2.1.3. Third series. (pg. 29)

1.2.2.1.4. Fourth series. (pg. 30)

1.2.2.1.5. Fifth series. (pg. 30)

1.2.2.2. Distance of major second between the 3rd or 4th finger and the thumb-under.

(pg. 31)

1.2.2.2.1. First series. (pg. 31)

1.2.2.2.2. Second series. (pg. 31)

1.3. Connection of the groups of three and four consecutive fingers through the thumb-under.

(pg. 32)

1.3.1. First part. (pg. 32)

1.3.1.1. First series. (pg. 32)

1.3.1.2. Second series. (pg. 33)

1.3.1.3. Third series. (pg. 33)

1.3.1.4. Fourth series. (pg.34)

1.3.2. Second part. (pg. 35)

1.3.2.1. First series. (pg. 35)

1.3.2.2. Second series. (pg. 37)

1.3.2.3. Third series. (pg. 39)

1.3.2.4. Fourth series. (pg. 41)

1.3.2.5. Fifth series. (pg. 43)

1.3.2.6. Sixth series. (pg. 45)

1.3.2.7. Seventh series. (pg. 47)

1.3.2.8. Eighth series. (pg. 49)

 

2. Study of the major scales. (pg. 51)

2.1. Major scales in the right hand with their corresponding symmetrical ones in the left hand, in descending order in number of black keys used, at an octave length. (pg. 51)

2.1.1. B MAJOR. (pg. 51)

2.1.2. G FLAT MAJOR. (pg. 51)

2.1.3. D FLAT MAJOR. (pg. 52)

2.1.4. A FLAT MAJOR. (pg. 52)

2.1.5. E MAJOR. (pg. 52)

2.1.6. A MAJOR. (pg. 52)

2.1.7. E FLAT MAJOR. (pg. 52)

2.1.8. D MAJOR. (pg. 53)

2.1.9. B FLAT MAJOR. (pg. 53)

2.1.10. G MAJOR. (pg. 53)

2.1.11. F MAJOR. (pg. 53)

2.1.12. C MAJOR. (pg. 53)

2.2. Major scales in the left hand with their corresponding symmetrical ones in the right hand, in descending order in number of black keys used, at one octave extension. (pg. 54)

2.2.1. B MAJOR. (pg. 54)

2.2.2. G FLAT MAJOR. (pg. 54)

2.2.3. D FLAT MAJOR. (pg. 54)

2.2.4. A FLAT MAJOR. (pg. 55)

2.2.5. E MAJOR. (pg. 55)

2.2.6. A MAJOR. (pg. 55)

2.2.7. E FLAT MAJOR. (pg. 55)

2.2.8. D MAJOR. (pg. 55)

2.2.9. B FLAT MAJOR. (pg. 56)

2.2.10. G MAJOR. (pg. 56)

2.2.11. F MAJOR. (pg. 56)

2.2.12. C MAJOR. (pg. 56)

23. Major scales in descending order in number of black keys used, to an octave extension. (pg. 57)

2.3.1. B MAJOR. (pg. 57)

2.3.2. G FLAT MAJOR. (pg. 57)

2.3.3. D FLAT MAJOR. (pg. 57)

2.3.4. A FLAT MAJOR. (pg. 58)

2.3.5. E MAJOR. (pg. 58)

2.3.6. A MAJOR. (pg. 58)

2.3.7. E FLAT MAJOR. (pg. 58)

2.3.8. D MAJOR. (pg. 58)

2.3.9. B FLAT MAJOR. (pg. 59)

2.3.10. G MAJOR. (pg. 59)

2.3.11. F MAJOR. (pg. 59)

2.3.12. C MAJOR. (pg. 59)

2.4. Major scales in decreasing order in number of black keys used, to two octaves extension. (pg. 60)

2.4.1. B MAJOR. (pg. 60)

2.4.2. G FLAT MAJOR. (pg. 60)

2.4.3. D FLAT MAJOR. (pg. 61)

2.4.4. A FLAT MAJOR. (pg. 61)

2.4.5. E MAJOR. (pg. 62)

2.4.6. A MAJOR. (pg. 62)

2.4.7. E FLAT MAJOR. (pg. 63)

2.4.8. D MAJOR. (pg. 63)

2.4.9. B FLAT MAJOR. (pg. 64)

2.4.10. G MAJOR. (pg. 64)

2.4.11. F MAJOR. (pg. 65)

2.4.12. C MAJOR. (pg. 65)

2.5. Major scales in ascending chromatic order of tonalities, to two octaves extension. (pg. 66)

2.5.1. C MAJOR. (pg. 66)

2.5.2. D FLAT MAJOR. (pg. 66)

2.5.3. D MAJOR. (pg. 67)

2.5.4. E FLAT MAJOR. (pg. 67)

2.5.5. E MAJOR. (pg. 68)

2.5.6. F MAJOR. (pg. 68)

2.5.7. G FLAT MAJOR. (pg. 69)

2.5.8. G MAJOR. (pg. 69)

2.5.9. A FLAT MAJOR. (pg. 70)

2.5.10. A MAJOR. (pg. 70)

2.5.11. B FLAT MAJOR. (pg. 71)

2.5.12. B MAJOR. (pg. 71)

2.6. Major scales by contrary movement, ascending chromatic order of tonalities and to one octave extension. (pg. 72)

2.6.1. C MAJOR. (pg. 72)

2.6.2. D FLAT MAJOR. (pg. 72)

2.6.3. D MAJOR. (pg. 72)

2.6.4. E FLAT MAJOR. (pg. 73)

2.6.5. E MAJOR. (pg. 73)

2.6.6. F MAJOR. (pg. 73)

2.6.7. G FLAT MAJOR. (pg. 73)

2.6.8. G MAJOR. (pg. 73)

2.6.9. A FLAT MAJOR. (pg. 74)

2.6.10. A MAJOR. (pg. 74)

2.6.11. B FLAT MAJOR. (pg. 74)

2.6.12. B MAJOR. (pg. 74)