TITLE: TRIDIGITOLOGÍA
OPUS: 37
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
DATE OF COMPOSITION: 1998-2002
MAIN THEME: Three consecutive fingers.
SPECIFIC TOPIC: 1-2-3 / 3-4-5. Except 2-3-4.
OBSERVATIONS: this volume belongs to the “CONSECUTIVE FINGERS” SERIES, made up of the following volumes:
Volume 3: BIDIGITOLOGÍA Op. 36,
Volume 4: TRIDIGITOLOGÍA Op. 37,
Volume 18: TETRADIGITOLOGÍA Op. 53,
Volume 6: PENTADIGITOLOGÍA Op. 39,
Volume 53: HEXATONOLOGÍA Op. 88,
Volume 66: BITRITETRADIGITOLOGÍA Op. 101,
Volume 67: CROMATOLOGÍA Op. 102.
This volume also belongs to the “THUMB-UNDER” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34,
Volume 2: ARPEGIOLOGÍA Op. 35,
Volume 3: BIDIGITOLOGÍA Op. 36,
Volume 4: TRIDIGITOLOGÍA Op. 37,
Volume 7: ARPEGIOLOGÍA Op. 40,
Volume 9: ARPEGIOLOGÍA Op. 42,
Volume 11: ARPEGIOLOGÍA Op. 44,
Volume 13: ARPEGIOLOGÍA Op. 46,
Volume 14: TRASLACIOLOGÍA Op. 47,
Volume 17: ARPEGIOLOGÍA Op. 52,
Volume 18: TETRADIGITOLOGÍA Op. 53,
Volume 19: ESCALOLOGÍA Op. 54,
Volume 20: ARPEGIOLOGÍA Op. 55,
Volume 21: ARPEGIOLOGÍA Op. 56,
Volume 22: ARPEGIOLOGÍA Op. 57,
Volume 23: ARPEGIOLOGÍA Op. 58,
Volume 24: ARPEGIOLOGÍA Op. 59,
Volume 25: ARPEGIOLOGÍA Op. 60,
Volume 26: ARPEGIOLOGÍA Op. 61,
Volume 27: ARPEGIOLOGÍA Op. 62,
Volume 31: ACORDOLOGÍA Op. 66,
Volume 32: ACORDOLOGÍA Op. 67,
Volume 33: ACORDOLOGÍA Op. 68,
Volume 40: ARPEGIOLOGÍA Op. 75,
Volume 41: ARPEGIOLOGÍA Op. 76,
Volume 42: ARPEGIOLOGÍA Op. 77,
Volume 43: ARPEGIOLOGÍA Op. 78,
Volume 51: ESCALOLOGÍA Op. 86,
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 59: ESCALOLOGÍA Op. 94,
Volume 65: ARPEGIOLOGÍA Op. 100,
Volume 67: CROMATOLOGÍA Op. 102.
INDEX:
1. First series. (p. 5)
1.1. By symmetrical motion. (p. 5)
1.1.1. Original. (p. 5)
1.1.2. Symmetric of the original. (p. 5)
1.1.3. Retrograde of the original. (p. 6)
1.1.4. Retrograde of the symmetric of the original. (p. 6)
1.2. By parallel motion. (p. 7)
1.2.1. Original. (p. 7)
1.2.2. Symmetric of the original. (p. 7)
1.2.3. Retrograde of the original. (p. 8)
1.2.4. Retrograde of the symmetric of the original. (p. 8)
2. Second series. (p. 9)
2.1. By symmetric motion. (p. 9)
2.1.1. Original. (p. 9)
2.1.2. Symmetric of the original. (p. 10)
2.1.3. Retrograde of the original. (p. 11)
2.1.4. Retrograde of the symmetric of the original. (p. 12)
2.2. By parallel motion. (p. 13)
2.2.1. Original. (p. 13)
2.2.2. Symmetric of the original. (p. 14)
2.2.3. Retrograde of the original. (p. 15)
2.2.4. Retrograde of the symmetric of the original. (p. 16)
3. Third series. (p. 17)
3.1. Augmented 2nd distance between 3rd and 1st fingers. (p. 17)
3.1.1. B-C#-D# and C-Db-Eb. (p. 17)
3.1.2. E-F#-G# and F-Gb-Ab. (p. 17)
3.2. Minor 2nd distance between 3rd and 1st fingers (p. 17)
3.2.1. F-Gb-Ab and G-Ab-Bb. (p. 17)
3.3. Increased unison distance between 3rd and 1st fingers. (p. 18)
3.3.1. E-F#-G # and G-Ab-Bb. (p. 18)
3.4. Increased unison distance between 3rd finger and thumb below. (p. 18)
3.4.1. C-Db-Eb and Mi-F#-G#. (p. 18)
3.4.2. G-Ab-Bb and B-C#-D#. (p. 18)
3.5. Minor 2nd distance between 3rd finger and thumb below. (p. 19)
3.5.1. B-C#-D# and Mi-F#-G#. (p. 19)
3.6. Major 2nd distance between 3rd finger and thumb below. (p. 19)
3.6.1. C-Db-Eb and F-Gb-Ab. (p. 19)
3.6.2. G-Ab-Bb and C-Db-Eb. (p. 19)
3.7. Diminished 3rd distance between 3rd finger and thumb below. (p. 20)
3.7.1. B-C#-D# and F-Gb-Ab. (p. 20)
3.8. Minor 3rd distance between the 3rd finger and the thumb below. (p. 20)
3.8.1. Mi-F#-G# and B-C#-D#. (p. 20)
3.9. Major 3rd distance between the 3rd finger and the thumb below. (p. 20)
3.9.1. C-Db-Eb and G-Ab-Bb. (p. 20)
3.9.2. Fa-Gb-Ab and C-Db-Eb. (p. 21)
3.10. Diminished 4th distance between 3rd finger and thumb below. (p. 21)
3.10.1. B-C#-D# and G-Ab-Bb. (p. 21)
3.10.2. E-F#-G# and C-Db-Eb. (p. 21)
