TITLE: TRINOLOGÍA
OPUS: 45
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
DATE OF COMPOSITION: 2001-2003
THEME: Trills.
OBSERVATIONS: training of the fingers involved in the most effective fingerings for the execution of the trills, according to the different combinations of keys that can be presented. In order to facilitate the study, it is advisable to have the three Fingering Tables on loose sheets.
INDEX:
1. Two black (tone) keys. (pg. 7)
1.1. Without resolution. (pg. 7)
1.1.1. (pg. 7)
1.1.2. (pg. 8)
1.1.3. (pg. 9)
1.1.4. (pg. 10)
1.2. With resolution in black key (tone). (pg. 11)
1.2.1. (pg. 11)
1.2.2. (pg. 12)
1.2.3. (pg. 13)
1.2.4. (pg. 14)
1.3. With resolution in white key (tone). (pg. 15)
1.3.1. (pg. 15)
1.3.2. (pg. 16)
1.3.3. (pg. 17)
1.3.4. (pg. 18)
1.4. With resolution in white key (semitone). (pg. 19)
1.4.1. (pg. 19)
1.4.2. (pg. 20)
1.4.3. (pg. 21)
1.4.4. (pg. 22)
2. White key (real) and black key (auxiliary upper), (semitone). (pg. 23)
2.1. Without resolution . (pg. 23)
2.1.1. (pg. 23)
2.1.2. (pg. 24)
2.1.3. (pg. 25)
2.1.4. (pg. 26)
2.2. With resolution in white key (semitone). (pg. 27)
2.2.1. (pg. 27)
2.2.2. (pg. 28)
2.2.3. (pg. 29)
2.2.4. (pg. 30)
2.3. With resolution in black key (tone). (pg. 31)
2.3.1. (pg. 31)
2.3.2. (pg. 32)
2.3.3. (pg. 33)
2.3.4. (pg. 34)
2.4. With resolution in white key (tone). (pg. 35)
2.4.1. (pg. 35)
2.4.2. (pg. 36)
2.4.3. (pg. 37)
2.4.4. (pg. 38)
3. Black key (real) and white key (auxiliary upper), (semitone). (pg. 39)
3.1. Without Resolution. (pg. 39)
3.1.1. (pg. 39)
3.1.2. (pg. 40)
3.1.3. (pg. 41)
3.1.4. (pg. 42)
3.2. With resolution in white key (semitone). ( p. 43)
3.2.1. (pg. 43)
3.2.2. (pg. 44)
3.2.3. (pg. 45)
3.2.4. (pg. 46)
3.3. With resolution in black key (tone). (pg. 47)
3.3.1. (pg. 47)
3.3.2. (pg. 48)
3.3.3. (pg. 49)
3.3.4. (pg. 50)
3.4. With resolution in white key (tone). (pg. 51)
3.4.1. (pg. 51)
3.4.2. (pg. 52)
3.4.3. (pg. 53)
3.4.4. (pg. 54)
4. White key (real) and black key (upper auxiliary), (of tone). (pg. 55)
4.1. Without Resolution. (pg. 55)
4.1.1. (pg. 55)
4.1.2. (pg. 56)
4.1.3. (pg. 57)
4.1.4. (pg. 58)
4.2. With resolution in white key (tone). (pg. 59)
4.2.1. (pg. 59)
4.2.2. (pg. 60)
4.2.3. (pg. 61)
4.2.4. (pg. 62)
4.3. With resolution in white key (semitone). (pg. 63)
4.3.1. (pg. 63)
4.3.2. (pg. 64)
4.3.3. (pg. 65)
4.3.4. (pg. 66)
5. Black key (real) and white key (upper auxiliary), (of tone). (pg. 67)
5.1. Without Resolution. (pg. 67)
5.1.1. (pg. 67)
5.1.2. (pg. 68)
5.1.3. (pg. 69)
5.1.4. (pg. 70)
5.2. With resolution in black key (tone). (pg. 71)
5.2.1. (pg. 71)
5.2.2. (pg. 72)
5.2.3. (pg. 73)
5.2.4. (pg. 74)
5.3. With resolution in white key (semitone). (pg. 75)
5.3.1. (pg. 75)
5.3.2. (pg. 76)
5.3.3. (pg. 77)
5.3.4. (pg. 78)
6. Two white (tone) keys. (pg. 79)
6.1. Without Resolution. (pg. 79)
6.1.1. (pg. 79)
6.1.2. (pg. 80)
6.1.3. (pg. 81)
6.1.4. (pg. 82)
6.2. With resolution in black key (tone). (pg. 83)
6.2.1. (pg. 83)
6.2.2. (pg. 84)
6.2.3. (pg. 85)
6.2.4. (pg. 86)
6.3. With resolution in black key (semitone). (pg. 87)
6.3.1. (pg. 87)
6.3.2. (pg. 88)
6.3.3. (pg. 89)
6.3.4. (pg. 90)
6.4. With resolution in white key (tone). (pg. 91)
6.4.1. (pg. 91)
6.4.2. (pg. 92)
6.4.3. (pg. 93)
6.4.4. (pg. 94)
Table I. (pg. 95)
Table II. (pg. 105)
Table III. (pg. 112)
