TITLE: ESCALOLOGÍA
OPUS: 86
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
COMPOSITION DATE: 2020
MAIN THEME: Whole tone scales.
SPECIFIC TOPIC: The 12 whole tone scales by parallel motion at one octave distance between both hands. The 132 bitonal combinations between both hands with the whole tone scale. The 12 whole tone scales by contrary and symmetrical motion.
OBSERVATIONS: this volume belongs to the “WHOLE TONES” SERIES, made up of the following volumes:
Volume 6: PENTADIGITOLOGÍA Op. 39,
Volume 53: HEXATONOLOGÍA Op. 88,
Volume 51: ESCALOLOGÍA Op. 86,
Volume 44: BIPUNTOLOGÍA Op. 79,
Volume 45: BIPUNTOLOGÍA Op. 80,
Volume 46: BIPUNTOLOGÍA Op. 81,
Volume 47: BIPUNTOLOGÍA Op. 82,
Volume 48: BIPUNTOLOGÍA Op. 83,
Volume 49: MIXTUROLOGÍA Op. 84,
Volume 50: MIXTUROLOGÍA Op. 85.
Volume 67: CROMATOLOGÍA Op. 102.
This volume also belongs to the “SCALES” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34 (major),
Volume 19: ESCALOLOGÍA Op. 54 (minor),
Volume 59: ESCALOLOGÍA Op. 94 (major and minor),
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 38: CROMATOLOGÍA Op. 73 (chromatic),
Volume 51: ESCALOLOGÍA Op. 86 (whole tones),
Volume 30: BIPUNTOLOGÍA Op. 65 (major in thirds),
Volume 35: BIPUNTOLOGÍA Op. 70 (major in fourths),
Volume 36: BIPUNTOLOGÍA Op. 71 (major in fifths),
Volume 34: BIPUNTOLOGÍA Op. 69 (major in sixths),
Volume 54: BIPUNTOLOGÍA Op. 89 (major in octaves),
Volume 37: MIXTUROLOGÍA Op. 72. (major),
Volume 60: BIPUNTOLOGÍA Op. 95 (minor in thirds),
Volume 61: BIPUNTOLOGÍA Op. 96 (minor in fourths),
Volume 62: BIPUNTOLOGÍA Op. 97 (minor in fifths),
Volume 63: BIPUNTOLOGÍA Op. 98 (minor in sixths),
Volume 64: BIPUNTOLOGÍA Op. 99 (minor in octaves),
Volume 44: BIPUNTOLOGÍA Op. 79 (whole tones in thirds),
Volume 45: BIPUNTOLOGÍA Op. 80 (whole tones in fourths),
Volume 46: BIPUNTOLOGÍA Op. 81 (whole tones in fifths),
Volume 47: BIPUNTOLOGÍA Op. 82 (whole tones in sixths),
Volume 48: BIPUNTOLOGÍA Op. 83 (whole tones in octaves),
Volume 49: MIXTUROLOGÍA Op. 84 (whole tones),
Volume 50: MIXTUROLOGÍA Op. 85 (whole tones),
Volume 67: CROMATOLOGÍA Op. 102.
This volume also belongs to the “THUMB-UNDER” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34,
Volume 2: ARPEGIOLOGÍA Op. 35,
Volume 3: BIDIGITOLOGÍA Op. 36,
Volume 4: TRIDIGITOLOGÍA Op. 37,
Volume 7: ARPEGIOLOGÍA Op. 40,
Volume 9: ARPEGIOLOGÍA Op. 42,
Volume 11: ARPEGIOLOGÍA Op. 44,
Volume 13: ARPEGIOLOGÍA Op. 46,
Volume 14: TRASLACIOLOGÍA Op. 47,
Volume 17: ARPEGIOLOGÍA Op. 52,
Volume 18: TETRADIGITOLOGÍA Op. 53,
Volume 19: ESCALOLOGÍA Op. 54,
Volume 20: ARPEGIOLOGÍA Op. 55,
Volume 21: ARPEGIOLOGÍA Op. 56,
Volume 22: ARPEGIOLOGÍA Op. 57,
Volume 23: ARPEGIOLOGÍA Op. 58,
Volume 24: ARPEGIOLOGÍA Op. 59,
Volume 25: ARPEGIOLOGÍA Op. 60,
Volume 26: ARPEGIOLOGÍA Op. 61,
Volume 27: ARPEGIOLOGÍA Op. 62,
Volume 31: ACORDOLOGÍA Op. 66,
Volume 32: ACORDOLOGÍA Op. 67,
Volume 33: ACORDOLOGÍA Op. 68,
Volume 40: ARPEGIOLOGÍA Op. 75,
Volume 41: ARPEGIOLOGÍA Op. 76,
Volume 42: ARPEGIOLOGÍA Op. 77,
Volume 43: ARPEGIOLOGÍA Op. 78,
Volume 51: ESCALOLOGÍA Op. 86,
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 59: ESCALOLOGÍA Op. 94,
Volume 65: ARPEGIOLOGÍA Op. 100,
Volume 67: CROMATOLOGÍA Op. 102.
INDEX:
1. THE 12 WHOLE TONE SCALES. (p. 5)
2. THE 132 BITONAL COMBINATIONS BETWEEN BOTH HANDS WITH THE WHOLE TONE SCALE. (p. 11)
2.1. C in the right hand combined with the other eleven keys
in the left hand. (p. 11)
2.2. D flat in the right hand combined with the other eleven keys
in the left hand. (p. 17)
2.3. D in the right hand combined with the other eleven keys
in the left hand. (p. 23)
2.4. E flat in the right hand combined with the other eleven keys
in the left hand. (p. 29)
2.5. E in the right hand combined with the other eleven keys
in the left hand. (p. 35)
2.6. F the right hand combined with the other eleven keys
in the left hand. (p. 41)
2.7. G flat in the right hand combined with the other eleven keys
in the left hand. (p. 47)
2.8. G in the right hand combined with the other eleven tonalities
in the left hand. (p. 53)
2.9. A flat in the right hand combined with the other eleven keys
in the left hand. (p. 59
2.10. A in the right hand combined with the other eleven keys
in the left hand. (p. 65)
2.11. B flat in the right hand combined with the other eleven keys
in the left hand. (p. 71)
2.12. C flat in the right hand combined with the other eleven keys
in the left hand. (p. 77)
3. THE 12 WHOLE TONE BY CONTRARY MOTION. (p. 83)
4. THE 12 WHOLE TONE BY SYMMETRICAL MOTION. (p. 89)
