TITLE: ARPEGIOLOGÍA
OPUS: 40
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
DATE OF COMPOSITION: 2000-2003
MAIN THEME: Arpeggios.
SPECIFIC TOPICS:
1) Progressive preparation for the second position of the arpeggios from least to greatest opening of the hand.
2) Progressive training in the lateral displacement of the arm with maximum opening of the hand until include six white keys and without succesive duplication of the arpeggio to the immediate upper octave; preparation for the thumb-under.
OBSERVATIONS: this volume complements the 2nd (Op. 35). Both make up a first contact with the world of the arpeggios. In turn, it is complemented and expanded with Volume 9.º (Op. 42).
This volume belongs to the “THUMB-UNDER” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34,
Volume 2: ARPEGIOLOGÍA Op. 35,
Volume 3: BIDIGITOLOGÍA Op. 36,
Volume 4: TRIDIGITOLOGÍA Op. 37,
Volume 7: ARPEGIOLOGÍA Op. 40,
Volume 9: ARPEGIOLOGÍA Op. 42,
Volume 11: ARPEGIOLOGÍA Op. 44,
Volume 13: ARPEGIOLOGÍA Op. 46,
Volume 14: TRASLACIOLOGÍA Op. 47,
Volume 17: ARPEGIOLOGÍA Op. 52,
Volume 18: TETRADIGITOLOGÍA Op. 53,
Volume 19: ESCALOLOGÍA Op. 54,
Volume 20: ARPEGIOLOGÍA Op. 55,
Volume 21: ARPEGIOLOGÍA Op. 56,
Volume 22: ARPEGIOLOGÍA Op. 57,
Volume 23: ARPEGIOLOGÍA Op. 58,
Volume 24: ARPEGIOLOGÍA Op. 59,
Volume 25: ARPEGIOLOGÍA Op. 60,
Volume 26: ARPEGIOLOGÍA Op. 61,
Volume 27: ARPEGIOLOGÍA Op. 62,
Volume 31: ACORDOLOGÍA Op. 66,
Volume 32: ACORDOLOGÍA Op. 67,
Volume 33: ACORDOLOGÍA Op. 68,
Volume 40: ARPEGIOLOGÍA Op. 75,
Volume 41: ARPEGIOLOGÍA Op. 76,
Volume 42: ARPEGIOLOGÍA Op. 77,
Volume 43: ARPEGIOLOGÍA Op. 78,
Volume 51: ESCALOLOGÍA Op. 86,
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 59: ESCALOLOGÍA Op. 94,
Volume 65: ARPEGIOLOGÍA Op. 100,
Volume 67: CROMATOLOGÍA Op. 102.
This volume also belongs to the “ARPEGGIOS” SERIES, made up of the following volumes:
Volume 2: ARPEGIOLOGÍA Op. 35,
Volume 7: ARPEGIOLOGÍA Op. 40,
Volume 9: ARPEGIOLOGÍA Op. 42,
Volume 11: ARPEGIOLOGÍA Op. 44,
Volume 13: ARPEGIOLOGÍA Op. 46,
Volume 17: ARPEGIOLOGÍA Op. 52,
Volume 20: ARPEGIOLOGÍA Op. 55,
Volume 21: ARPEGIOLOGÍA Op. 56,
Volume 22: ARPEGIOLOGÍA Op. 57,
Volume 23: ARPEGIOLOGÍA Op. 58,
Volume 24: ARPEGIOLOGÍA Op. 59,
Volume 25: ARPEGIOLOGÍA Op. 60,
Volume 26: ARPEGIOLOGÍA Op. 61,
Volume 27: ARPEGIOLOGÍA Op. 62,
Volume 31: ACORDOLOGÍA Op. 66,
Volume 32: ACORDOLOGÍA Op. 67,
Volume 33: ACORDOLOGÍA Op. 68,
Volume 39: ARPEGIOLOGÍA Op. 74,
Volume 40: ARPEGIOLOGÍA Op. 75,
Volume 41: ARPEGIOLOGÍA Op. 76,
Volume 42: ARPEGIOLOGÍA Op. 77,
Volume 43: ARPEGIOLOGÍA Op. 78,
Volume 55: OCTAVOLOGÍA Op. 90,
Volume 65: ARPEGIOLOGÍA Op. 100.
INDEX:
1. Preparatory exercises for the study of the 2nd position of the arpeggios. (p. 9)
1.1. 2nd and 4th fingers at a tone away from each other. (p. 9)
1.1.1. 4th and 5th fingers at a semitone away from each other. (p. 9)
1.1.1.1. 1st and 2nd fingers at a semitone away from each other. (p. 9)
1.1.1.2. 1st and 2nd fingers at a tone away from each other. (p. 9)
1.1.1.3. 1st and 2nd fingers at two tones away from each other. (p. 9)
1.1.2. 4th and 5th fingers at a tone away from each other. (p. 10)
1.1.2.1. 1st and 2nd fingers at a semitone away from each other. (p. 10)
1.1.2.2. 1st and 2nd fingers at a tone away from each other. (p. 10)
1.1.2.3. 1st and 2nd fingers at two tones away from each other. (p. 10)
1.1.3. 4th and 5th fingers at a tone and a half away from each other. (p. 10)
1.1.3.1. 1st and 2nd fingers at a semitone away from each other. (p. 10)
1.1.3.2. 1st and 2nd fingers at a tone away from each other. (p. 11)
1.1.3.3. 1st and 2nd fingers at two tones away from each other. (p. 11)
1.1.4. 4th and 5th fingers at two tones away from each other. (p. 11)
1.1.4.1. 1st and 2nd fingers at a semitone away from each other. (p. 11)
1.1.4.2. 1st and 2nd fingers at a tone away from each other. (p. 11)
1.1.4.3. 1st and 2nd fingers at two tones away from each other. (p. 12)
1.2. 2nd and 4th fingers at a tone and a half away from each other. (p. 12)
1.2.1. 4th and 5th fingers at a semitone away from each other. (p. 12)
1.2.1.1. 1st and 2nd fingers at a semitone away from each other. (p. 12)
1.2.1.2. 1st and 2nd fingers at a tone and a half away from each other. (p. 12) .
1.2.1.3. 1st and 2nd fingers at two tones away from each other. (p. 12)
1.2.2. 4th and 5th fingers at a tone and a half away from each other. (p. 13)
1.2.2.1. 1st and 2nd fingers at a semitone away from each other. (p. 13)
1.2.2.2. 1st and 2nd fingers at a tone and a half away from each other. (p. 13)
1.2.2.3. 1st and 2nd fingers at two tones away from each other. (p. 13)
1.3. 2nd and 4th fingers at two tones away from each other. (p. 13)
1.3.1. 4th and 5th fingers at a semitone away from each other. (p. 13)
1.3.1.1. 1st and 2nd fingers at a semitone away from each other. (p. 13)
1.3.1.2. 1st and 2nd fingers at a tone away from each other. (p. 14)
1.3.1.3. 1st and 2nd fingers at two tones away from each other. (p. 14)
1.3.2. 4th and 5th fingers at a tone away from each other. (p. 14)
1.3.2.1. 1st and 2nd fingers at a semitone away from each other. (pág. 14)
1.3.2.2. 1st and 2nd fingers at a tone away from each other. (pág. 14)
1.3.2.3. 1st and 2nd fingers at two tones away from each other. (pág. 15)
1.3.3. 4th and 5th fingers at two tones away from each other. (pág. 15)
1.3.3.1. 1st and 2nd fingers at a semitone away from each other. (pág. 15)
1.3.3.2. 1st and 2nd fingers at a tone away from each other. (pág. 15)
1.3.3.3. 1st and 2nd fingers at two tones away from each other. (pág. 15)
1.4. 2nd and 4th fingers to two and a half tones away. (pág. 16)
1.4.1. 4th and 5th at a semitono away from each other. (pág. 16)
1.4.1.1. 1st and 2nd fingers at a semitone away from each other.(pág. 16)
1.4.1.2. 1st and 2nd fingers at a tone away from each other. (p. 16)
1.4.1.3. 1st and 2nd fingers at two tones away from each other. (p. 16)
1.4.2. 4th and 5th fingers at a tone and a half away from each other. (p. 16)
1.4.2.1. 1st and 2nd fingers at a semitone away from each other. (p. 16)
1.4.2.2. 1st and 2nd fingers at a tone away from each other. (p. 17)
1.4.2.3. 1st and 2nd fingers at two tones away from each other. (p. 17)
2. Arpeggios of three notes. (p. 19)
2.1. With a single arpeggio. (p. 19)
2.1.1. By symmetrical motiont. (p. 19)
2.1.1.1. The 1st and 5th fingers span five white keys. (p. 19)
2.1.1.1.1. Minor arpeggio in 1st position. (p. 19)
2.1.1.1.1.1. (p. 19)
2.1.1.1.1.2. (p. 19)
2.1.1.1.1.3. (p. 19)
2.1.1.1.2. Major arpeggio in 1st position. (p. 20)
2.1.1.1.2.1. (p. 20)
2.1.1.1.2.2. (p. 20)
2.1.1.1.2.3. (p. 20)
2.1.1.2. The 1st and 5th fingers span six white keys. (p. 20)
2.1.1.2.1. Arpeggio of diminished 5th in 2nd position. (p. 20)
2.1.1.2.1.1. (p. 20)
2.1.1.2.1.2. (p. 21)
2.1.1.2.1.3. (p. 21)
2.1.1.2.2. Minor arpeggio in 2nd position. (p. 21)
2.1.1.2.3. Arpeggio of augmented 5th in 3rd position. (p. 21)
2.1.1.2.3.1. (p. 21)
2.1.1.2.3.2. (p. 22)
2.1.1.2.3.3. (p. 22)
2.1.1.2.4. Major arpeggio in 3rd position. (p. 22)
2.1.1.2.5. Arpeggio of diminished 5th in 3rd position. (p. 22)
2.1.1.2.5.1. (p. 22)
2.1.1.2.5.2. (p. 23)
2.1.1.2.5.3. (p. 23)
2.1.2. By contrary motiont. (p. 23)
2.1.2.1. The 1st and 5th fingers span five white keys. (p. 23)
2.1.2.1.1. Minor arpeggio in 1st position. (p. 23)
2.1.2.1.1.1. (p. 23)
2.1.2.1.1.2. (p. 23)
2.1.2.1.1.3. (p. 24)
2.1.2.1.2. Major arpeggio in 1st position. (p. 24)
2.1.2.1.2.1. (p. 24)
2.1.2.1.2.2. (p. 24)
2.1.2.1.2.3. (p. 24)
2.1.2.2. The 1st and 5th fingers span six white keys. (p. 25)
2.1.2.2.1. Arpeggio of diminished 5th in 2nd position. (p. 25)
2.1.2.2.1.1. (p. 25)
2.1.2.2.1.2. (p. 25)
2.1.2.2.1.3. (p. 25)
2.1.2.2.2. Minor arpeggio in 2nd position. (p. 25)
2.1.2.2.3. Arpeggio of augmented 5th in 3rd position. (p. 26)
2.1.2.2.3.1. (p. 26)
2.1.2.2.3.2. (p. 26)
2.1.2.2.3.3. (p. 26)
2.1.2.2.4. Major arpeggio in 3rd position. (p. 26)
2.1.2.2.5. Arpeggio of diminished 5th in 3rd position. (p. 27)
2.1.2.2.5.1. (p. 27)
2.1.2.2.5.2. (p. 27)
2.1.2.2.5.3. (p. 27)
2.1.3. By parallel motion. (p. 27)
2.1.3.1. The 1st and 5th fingers span five white keys. (p. 27)
2.1.3.1.1. Minor arpeggio in 1st position. (p. 27)
2.1.3.1.1.1. (p. 27)
2.1.3.1.1.2. (p. 28)
2.1.3.1.1.3. (p. 28)
2.1.3.1.2. Major arpeggio in 1st position. (p. 28)
2.1.3.1.2.1. (p. 28)
2.1.3.1.2.2. (p. 28)
2.1.3.1.2.3. (p. 29)
2.1.3.2. The 1st and 5th fingers span six white keys. (p. 29)
2.1.3.2.1. Arpeggio of diminished 5th in 2nd position. (p. 29)
2.1.3.2.1.1. (p. 29)
2.1.3.2.1.2. (p. 29)
2.1.3.2.1.3. (p. 29)
2.1.3.2.2. Minor arpeggio in 2nd position. (p. 30)
2.1.3.2.3. Arpeggio of augmented 5th in 3rd position. (p. 30)
2.1.3.2.3.1. (p. 30)
2.1.3.2.3.2. (p. 30)
2.1.3.2.3.3. (p. 30)
2.1.3.2.4. Major arpeggio in 3rd position. (p. 31)
2.1.3.2.5. Arpeggio of diminished 5th in 3rd position. (p. 31)
2.1.3.2.5.1. (p. 31)
2.1.3.2.5.2. (p. 31)
2.1.3.2.5.3. (p. 31)
2.2. With two arpeggios. (p. 32)
2.2.1. By symmetrical motiont. (p. 32)
2.2.1.1. Distance between thumbs of two white keys. (p. 32)
2.2.1.1.1. Arpeggio of diminished 5th in 2nd position. (p. 32)
2.2.1.1.2. Arpeggio of diminished 5th in 3rd position. (p. 32)
2.2.1.1.3. Arpeggio of augmented 5th in 3rd position. (p. 32)
2.2.1.1.4. Minor arpeggio in 1st position. (p. 33)
2.2.1.1.5. Major arpeggio in 1st position. (p. 33)
2.2.1.2. Four white keys thumb span. (p. 33)
2.2.1.2.1. Arpeggio of diminished 5th in 2nd position. (p. 33)
2.2.1.2.1.1. (p. 33)
2.2.1.2.1.2. (p. 33)
2.2.1.2.2. Arpeggio of diminished 5th in 3rd position. (p. 34)
2.2.1.2.2.1. (p. 34)
2.2.1.2.2.2. (p. 34)
2.2.1.2.3. Arpeggio of augmented 5th in 3rd position. (p. 34)
2.2.1.2.3.1. (p. 34)
2.2.1.2.3.2. (p. 34)
2.2.1.2.4. Minor arpeggio in 1st position. (p. 35)
2.2.1.2.4.1. (p. 35)
2.2.1.2.4.2. (p. 35)
2.2.1.2.5. Major arpeggio in 1st position. (p. 35)
2.2.1.2.5.1. (p. 35)
2.2.1.2.5.2. (p. 35)
2.2.1.3. Five white key thumb span. (p. 36)
2.2.1.3.1. Arpeggio of diminished 5th in 2nd position. (p. 36)
2.2.1.3.1.1. (p. 36)
2.2.1.3.1.2. (p. 36)
2.2.1.3.2. Arpeggio of diminished 5th in 3rd position. (p. 36)
2.2.1.3.2.1. (p. 36)
2.2.1.3.2.2. (p. 36)
2.2.1.3.3. Arpeggio of augmented 5th in 3rd position. (p. 37)
2.2.1.3.3.1. (p. 37)
2.2.1.3.3.2. (p. 37)
2.2.1.3.4. Minor arpeggio in 1st position. (p. 37)
2.2.1.3.4.1. (p. 37)
2.2.1.3.4.2. (p. 37)
2.2.1.3.5. Major arpeggio in 1st position. (p. 38)
2.2.1.3.5.1. (p. 38)
2.2.1.3.5.2. (p. 38)
2.2.2. By parallel motion. (p. 38)
2.2.2.1. Distance between thumbs of two white keys. (p. 38)
2.2.2.1.1. Arpeggio of diminished 5th in 2nd position. (p. 38)
2.2.2.1.2. Arpeggio of diminished 5th in 3rd position. (p. 38)
2.2.2.1.3. Arpeggio of augmented 5th in 3rd position. (p. 39)
2.2.2.1.4. Minor arpeggio in 1st position. (p. 39)
2.2.2.1.5. Major arpeggio in 1st position. (p. 39)
2.2.2.2. Four white keys thumb span. (p. 39)
2.2.2.2.1. Arpeggio of diminished 5th in 2nd position. (p. 39)
2.2.2.2.1.1. (p. 39)
2.2.2.2.1.2. (p. 40)
2.2.2.2.2. Arpeggio of diminished 5th in 3rd position. (p. 40)
2.2.2.2.2.1. (p. 40)
2.2.2.2.2.2. (p. 40)
2.2.2.2.3. Arpeggio of augmented 5th in 3rd position. (p. 40)
2.2.2.2.3.1. (p. 40)
2.2.2.2.3.2. (p.41)
2.2.2.2.4. Minor arpeggio in 1st position. (p. 41)
2.2.2.2.4.1. (p. 41)
2.2.2.2.4.2. (p. 41)
2.2.2.2.5. Major arpeggio in 1st position. (p. 41)
2.2.2.2.5.1. (p. 41)
2.2.2.2.5.2. (p. 42)
2.2.2.3. Five white key thumbspan. (p. 42)
2.2.2.3.1. Arpeggio of diminished 5th in 2nd position. (p. 42)
2.2.2.3.1.1. (p. 42)
2.2.2.3.1.2. (p. 42)
2.2.2.3.2. Arpeggio of diminished 5th in 3rd position. (p. 42)
2.2.2.3.2.1. (p. 42)
2.2.2.3.2.2. (p. 43)
2.2.2.3.3. Arpeggio of augmented 5th in 3rd position. (p. 43)
2.2.2.3.3.1. (p. 43)
2.2.2.3.3.2. (p. 43)
2.2.2.3.4. Minor arpeggio in 1st position. (p. 43)
2.2.2.3.4.1. (p. 43)
2.2.2.3.4.2. (p. 44)
2.2.2.3.5. Major arpeggio in 1st position. (p. 44)
2.2.2.3.5.1. (p. 44)
2.2.2.3.5.2. (p. 44)
