TITLE: BIPUNTOLOGÍA
OPUS: 69
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
DATE OF COMPOSITION: 2019
MAIN THEME: Double notes.
SPECIFIC TOPIC: Major scales in sixths.
OBSERVATIONS: this volume belongs to the “DOUBLE NOTES WITH THE MAJOR SCALE” SERIES, made up of the following volumes:
Volume 30: BIPUNTOLOGÍA Op. 65 (thirds),
Volume 35: BIPUNTOLOGÍA Op. 70 (fourths),
Volume 36: BIPUNTOLOGÍA Op. 71 (fifths),
Volume 34: BIPUNTOLOGÍA Op. 69 (sixths),
Volume 54: BIPUNTOLOGÍA Op. 89 (eighths),
Volume 37: MIXTUROLOGÍA Op. 72.
This volume also belongs to the “SCALES” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34 (major),
Volume 19: ESCALOLOGÍA Op. 54 (minor),
Volume 59: ESCALOLOGÍA Op. 94 (major and minor),
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 38: CROMATOLOGÍA Op. 73 (chromatic),
Volume 51: ESCALOLOGÍA Op. 86 (whole tone),
Volume 30: BIPUNTOLOGÍA Op. 65 (major in thirds),
Volume 35: BIPUNTOLOGÍA Op. 70 (major in fourths),
Volume 36: BIPUNTOLOGÍA Op. 71 (major in fifths),
Volume 34: BIPUNTOLOGÍA Op. 69 (major in sixths),
Volume 54: BIPUNTOLOGÍA Op. 89 (major in octaves),
Volume 37: MIXTUROLOGÍA Op. 72. (major),
Volume 60: BIPUNTOLOGÍA Op. 95 (minor in thirds),
Volume 61: BIPUNTOLOGÍA Op. 96 (minor in fourths),
Volume 62: BIPUNTOLOGÍA Op. 97 (minor in fifths),
Volume 63: BIPUNTOLOGÍA Op. 98 (minor in sixths),
Volume 64: BIPUNTOLOGÍA Op. 99 (minor in octaves),
Volume 44: BIPUNTOLOGÍA Op. 79 (whole tones in thirds),
Volume 45: BIPUNTOLOGÍA Op. 80 (whole tone in fourths),
Volume 46: BIPUNTOLOGÍA Op. 81 (whole tone in fifths),
Volume 47: BIPUNTOLOGÍA Op. 82 (whole tone in sixths),
Volume 48: BIPUNTOLOGÍA Op. 83 (whole tone in octaves),
Volume 49: MIXTUROLOGÍA Op. 84 (whole tone),
Volume 50: MIXTUROLOGÍA Op. 85 (whole tone),
Volume 67: CROMATOLOGÍA Op. 102.
This volume also belongs to the “DOUBLE NOTES” SERIES , made up of the following volumes:
Volume 5: BIPUNTOLOGÍA Op. 38,
Volume 30: BIPUNTOLOGÍA Op. 65,
Volume 31: ACORDOLOGÍA Op. 66,
Volume 32: ACORDOLOGÍA Op. 67,
Volume 33: ACORDOLOGÍA Op. 68,
Volume 34: BIPUNTOLOGÍA Op. 69,
Volume 35: BIPUNTOLOGÍA Op. 70,
Volume 36: BIPUNTOLOGÍA Op. 71,
Volume 37: MIXTUROLOGÍA Op. 72,
Volume 44: BIPUNTOLOGÍA Op. 79,
Volume 45: BIPUNTOLOGÍA Op. 80,
Volume 46: BIPUNTOLOGÍA Op. 81,
Volume 47: BIPUNTOLOGÍA Op. 82,
Volume 48: BIPUNTOLOGÍA Op. 83,
Volume 49: MIXTUROLOGÍA Op. 84,
Volume 50: MIXTUROLOGÍA Op. 85,
Volume 54: BIPUNTOLOGÍA Op. 89,
Volume 55: OCTAVOLOGÍA Op. 90,
Volume 60: BIPUNTOLOGÍA Op. 95,
Volume 61: BIPUNTOLOGÍA Op. 96,
Volume 62: BIPUNTOLOGÍA Op. 97,
Volume 63: BIPUNTOLOGÍA Op. 98,
Volume 64: BIPUNTOLOGÍA Op. 99,
Volume 67: CROMATOLOGÍA Op. 102.
INDEX:
0. PREPARATORY EXERCISES. (pg. 9)
0.1. Six exercises. (pg. 9)
0.1.1. Exercise 1. (pg. 9)
0.1.1.1. Minor thirds. (pg. 9)
0.1.1.2. Major thirds. (pg. 9)
0.1.1.3. Perfect fourths. (pg. 9)
0.1.1.4. Augmented fourths. (pg. 9)
0.1.1.5. Minor sixths. (pg. 10)
0.1.1.6. Major sixths. (pg. 10)
0.1.2. Exercise 2. (pg. 11)
0.1.2.1. Minor thirds. (pg. 11)
0.1.2.2. Major thirds. (pg. 11)
0.1.2.3. Perfect fourths. (pg. 11)
0.1.2.4. Augmented fourths. (pg. 11)
0.1.2.5. Minor sixths. (pg. 12)
0.1.2.6. Major sixths. (pg. 12)
0.1.3. Exercise 3. (pg. 13)
0.1.3.1. (pg. 13)
0.1.3.2. (pg. 13)
0.1.3.3. (pg. 13)
0.1.3.4. (pg. 13)
0.1.3.5. (pg. 13)
0.1.4. Exercise 4. (pg. 14)
0.1.4.1. Minor thirds. (pg. 14)
0.1.4.2. Major thirds. (pg. 16)
0.1.4.3. Perfect fourths. (pg. 20)
0.1.4.4. Augmented fourths. (pg. 20)
0.1.4.5. Minor sixths. (pg. 30)
0.1.4.6. Major sixths. (pg. 34)
0.1.5. Exercise 5. (pg. 37)
0.1.5.1. Minor thirds. (pg. 37)
0.1.5.2. Major thirds. (pg. 39)
0.1.5.3. Just Fourths. (pg. 43)
0.1.5.4. Augmented fourths. (pg. 43)
0.1.5.5. Minor sixths. (pg. 53)
0.1.5.6. Major sixths. (pg. 57)
0.1.6. Exercise 6. (pg. 60)
0.1.6.1. Minor thirds. (pg. 60)
0.1.6.2. Major thirds. (pg. 60)
0.1.6.3. Perfect fourths. (pg. 61)
0.1.6.4. Augmented fourths. (pg. 62)
0.1.6.5. Minor sixths. (pg. 64)
0.1.6.6. Major sixths. (pg. 65)
0.2. Eight exercises to increase the distance between the 2nd and 4th fingers. (pg. 67)
0.2.1. Module 1. (pg. 67)
0.2.1.1. Symmetric. (pg. 67)
0.2.1.2. Parallel. (pg. 70)
0.2.2. Module 2. (pg. 73)
0.2.2.1. Symmetric. (pg. 73)
0.2.2.2. Parallel. (pg. 76)
0.2.3. Module 3. (pg. 79)
0.2.3.1. Symmetric. (pg. 79)
0.2.3.2. Parallel. (pg. 82)
0.2.4. Module 4. (pg. 85)
0.2.4.1. Symmetric. (pg. 85)
0.2.4.2. Parallel. (pg. 88)
0.2.5. Module 5. (pg. 91)
0.2.5.1. Symmetric. (pg. 91)
0.2.5.2. Parallel. (pg. 94)
0.2.6. Module 6. (pg. 97)
0.2.6.1. Symmetric. (pg. 97)
0.2.6.2. Parallel. (pg. 100)
0.2.7. Module 7. (pg. 103)
0.2.7.1. Symmetric. (pg. 103)
0.2.7.2. Parallel. (pg. 106)
0.2.8. Module 8. (pg. 109)
0.2.8.1. Symmetric. (pg. 109)
0.2.8.2. Parallel. (pg. 112)
0.3. Presentation of the sixths in double notes. (pg. 115)
0.3.1. Non legato. (pg. 115)
0.3.1.1. Minor sixths. (pg. 115)
0.3.1.1.1. Symmetric. (pg. 115)
0.3.1.1.2. Parallel. (pg. 115)
0.3.1.2. Major sixths. (pg. 116)
0.3.1.2.1. Symmetric. (pg. 116)
0.3.1.2.2. Parallel. (pg. 116)
0.3.2. Legato. (pg. 117)
0.3.2.1. Model 1. (pg. 117)
0.3.2.1.1. Symmetric. (pg. 117)
0.3.2.1.2. Parallel. (pg. 118)
0.3.2.2. Model 2. (pg. 119)
0.3.2.2.1. Symmetric. (pg. 119)
0.3.2.2.2. Parallel. (pg. 120)
0.3.2.3. Model 3. (pg. 121)
0.3.2.3.1. Symmetric. (pg. 121)
0.3.2.3.2. Parallel. (pg. 122)
0.3.2.4. Model 4. (pg. 123)
0.3.2.4.1. Symmetric. (pg. 123)
0.3.2.4.2. Parallel. (pg. 124)
1. C MAJOR. (pg. 125)
2. D FLAT MAJOR. (pg. 149)
3. D MAJOR. (pg. 173)
4. E FLAT MAJOR. (pg. 197)
5. E MAJOR. (pg. 221)
6. F MAJOR. (pg. 245)
7. G FLAT MAJOR. (pg. 269)
8. G MAJOR. (pg. 293)
9. A FLAT MAJOR. (pg. 317)
10. A MAJOR. (pg. 341)
11. B FLAT MAJOR. (pg. 365)
12. B MAJOR. (pg. 389)
13. THE TWELVE MAJOR SCALES IN SIXTHS. (pg. 413)
