TITLE: CROMATOLOGÍA
OPUS: 73
SEE/DOWNLOAD COMPLETE SCORE IN PDF OF THIS VOLUME.
DATE OF COMPOSITION: 2019
TOPIC: Scales.
SPECIFIC TOPIC: Chromatic scales.
OBSERVATIONS: this volume belongs to the “SCALES” SERIES, made up of the following volumes:
Volume 1: ESCALOLOGÍA Op. 34 (major),
Volume 19: ESCALOLOGÍA Op. 54 (minor),
Volume 59: ESCALOLOGÍA Op. 94 (major and minor),
Volume 52: ESCALOLOGÍA Op. 87,
Volume 56: ESCALOLOGÍA Op. 91,
Volume 57: ESCALOLOGÍA Op. 92,
Volume 58: ESCALOLOGÍA Op. 93,
Volume 38: CROMATOLOGÍA Op. 73 (chromatic),
Volume 51: ESCALOLOGÍA Op. 86 (whole tone),
Volume 30: BIPUNTOLOGÍA Op. 65 (major in thirds),
Volume 35: BIPUNTOLOGÍA Op. 70 (major in fourths),
Volume 36: BIPUNTOLOGÍA Op. 71 (major in fifths),
Volume 34: BIPUNTOLOGÍA Op. 69 (major in sixths),
Volume 54: BIPUNTOLOGÍA Op. 89 (major in octaves),
Volume 37: MIXTUROLOGÍA Op. 72. (major),
Volume 60: BIPUNTOLOGÍA Op. 95 (minor in thirds),
Volume 61: BIPUNTOLOGÍA Op. 96 (minor in fourths),
Volume 62: BIPUNTOLOGÍA Op. 97 (minor in fifths),
Volume 63: BIPUNTOLOGÍA Op. 98 (minor in sixths),
Volume 64: BIPUNTOLOGÍA Op. 99 (minor in octaves),
Volume 44: BIPUNTOLOGÍA Op. 79 (whole tone in thirds),
Volume 45: BIPUNTOLOGÍA Op. 80 (whole tone in fourths),
Volume 46: BIPUNTOLOGÍA Op. 81 (whole tone in fifths),
Volume 47: BIPUNTOLOGÍA Op. 82 (whole tone in sixths),
Volume 48: BIPUNTOLOGÍA Op. 83 (whole tone in octaves),
Volume 49: MIXTUROLOGÍA Op. 84 (whole tone),
Volume 50: MIXTUROLOGÍA Op. 85 (whole tone),
Volume 67: CROMATOLOGÍA Op. 102.
INDEX:
1. Chromatic scales from 2 to 13 notes by symmetrical motion; basic fingering and auxiliary fingerings. (pg. 5)
1.1. F. (pg. 5)
1.2. G flat. (pg. 9)
1.3. G. (pg. 13)
1.4. A flat. (pg. 17)
1.5. A. (pg. 21)
1.6. B flat (pg. 25)
1.7. B. (pg. 29)
1.8. C. (pg. 33)
1.9. D flat. (pg. 37)
1.10. D. (pg. 41)
1.11. E flat. (pg. 45)
1.12. E. (pg. 49)
2. Interchangeable basic fingerings in fragments of chromatic scales from 2 to 9 notes with the same keyboard topography (pg. 53)
2.1. Two notes. (pg. 53)
2.1.1. Type 1. (pg. 53)
2.1.2. Type 2. (pg. 54)
2.2. Three notes (pg. 57)
2.2.1. Type 1. (pg. 57)
2.2.2. Type 2. (pg. 58)
2.2.3. Type 3. (pg. 59)
2.3. Four notes. (pg. 61)
2.3.1. Type 1. (pg. 61)
2.3.2. Type 2. (pg. 62)
2.3.3. Type 3. (pg. 62)
2.3.4. Type 4. (pg. 63)
2.4. Five notes. (pg. 65)
2.4.1. Type 1. (pg. 65)
2.4.2. Type 2. (pg. 66)
2.4.3. Type 3. (pg. 66)
2.4.4. Type 4. (pg. 67)
2.5. Six notes. (pg. 68)
2.5.1. Type 1. (pg. 68)
2.5.2. Type 2. (pg. 68)
2.5.3. Type 3. (pg. 69)
2.5.4. Type 4. (pg. 70)
2.6. Seven notes. (pg. 71)
2.6.1. Type 1. (pg. 71)
2.6.2. Type 2. (pg. 71)
2.6.3. Type 3. (pg. 72)
2.7. Eight notes. (pg. 74)
2.7.1. Type 1. (pg. 74)
2.7.2. Type 2. (pg. 74)
2.8. Nine notes. (pg. 76)
2.8.1. Type 1. (pg. 76)
2.8.2. Type 2. (pg. 76)
3. The 12 chromatic scales at one octave distance between both hands; basic fingering and auxiliary fingerings. (pg. 79)
3.1. C. (pg. 79)
3.2. D flat. (pg. 79)
3.3. D. (pg. 80)
3.4. E flat. (pg. 80)
3.5. E. (pg. 81)
3.6. F. (pg. 81)
3.7. G flat. (pg. 82)
3.8. G. (pg. 82)
3.9. A flat. (pg. 83)
3.10. A. (pg. 83)
3.11. B flat (pg. 84)
3.12. B. (pg. 84)
4. The chromatic scales at different distances between both hands. (pg. 85)
4.1. Major second. (pg. 85)
4.2. Minor third. (pg. 88)
4.3. Major third. (pg. 91)
4.4. Perfect fourth. (pg. 94)
4.5. Augmented fourth. (pg. 97)
4.6. Perfect fifth. (pg. 100)
4.7. Minor sixth. (pg. 103)
4.8. Major sixth. (pg. 106)
4.9. Minor seventh. (pg. 109)
4.10. Major seventh. (pg. 112)
4.11. Perfect eighth. (pg. 115)
4.12. Minor ninth. (pg. 118)
4.13. Major ninth. (pg. 121)
4.14. Minor tenth. (pg. 124)
4.15. Major tenth. (pg. 127)
